March 2024 - Alle_studierende - lists.akbild.ac.at

Buchungssystem/bookingsystem
by labor_fotografie 15 Mar '24

15 Mar '24

Liebe Studierende, die es betrifft, Zur Zeit ist leider auf Grund eines technischen Problems das Buchungssystem für das Studio und das SW-Labors des Labors für Fotografie am IBK nicht verfügbar. An der Behebung wird gearbeitet. Wir bitten um Geduld. Bei dringenden Wünschen bitte uns per Mail kontaktieren. Für das Team des Labors, Thomas Freiler Dear students, to whom it may consern, Unfortunately, due to a technical problem, the booking system for studio and SW-lab of the Photography Laboratory at the IBK is currently not available. I hope the problem will be fixed soon. We ask for patience. If you have urgent requests, please contact us by email. __________________________________ A...kademie der bildenden Künste Wien Thomas Freiler Leiter des Labors Fotografie Head of the photographic laboratory Institut für bildende Kunst Institute for fine arts Telefon +43 1 588 16 6130 Lehargasse 8, 1060 Wien t.freiler(a)akbild.ac.at www.akbild.ac.at

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Ringvorlesung 21/03, 18h - Anna Spanlang: Chewing the phone/archive
by Poeschl Marlies 14 Mar '24

14 Mar '24

Dear All, The studio for Art and Time | Media cordially invites you to a lecture and discussion with artist & filmmaker Anna Spanlang. Anna Spanlang: Chewing the phone/archive <https://www.akbild.ac.at/en/institutes/fine-arts/events/lectures-events/202…> 21/03/2024, 18-20 h II12, Mehrzwecksaal-Audio u. Videostudio IBK (LG0212), Semperdepot, Léhargasse 6-8, 1060 Wien Screening and talk by Anna Spanlang with Constanze Ruhm as part of the lecture series at the Institute of Fine Arts, organized by the department Art and Time | Media Anna Spanlang’s works seek to limn a poetics of the ordinary while underscoring the political dimension of an everyday life in which community, friendship, and feminism are actually lived and not just discussed. (Anne Faucheret) Anna Spanlang's working method is one of processual documentation over a long period of time: sifting through the most disparate video recordings, discarding them, assembling them, reconsidering them, taking them apart. Through her feminist montage, the artist creates (new) meaning. She thus explores the strengths of her found material and enters into a new relationship of trust with the images. In rearranging and reinterpreting everyday situations, she creates a specific space for play. Spanlang's videos about feminist solidarity always create a real, utopian counternarrative to the history of patriarchy and all that it stands for - colonialism, capitalism, environmental destruction, violence. The motifs range from demonstrations against femicide and women posing on cars to a sculpture of a giant used tampon. One thing is clear: the patriarchy must go. Abolishing it may still take some time, but until then another world remains possible in Spanlang's imagery, a world of communality in which friendship, but also artistic creation and self-actualization, take center stage. (Christiane Erharter) https://www.akbild.ac.at/en/institutes/fine-arts/events/lectures-events/202… Marlies Poeschl Art and Time / Media Institute for Fine Arts m.poeschl(a)akbild.ac.at<mailto:m.poeschl@akbild.ac.at>

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Fwd: VIENNA SHORTS – Talent Days Invitation
by Renoldner Thomas 14 Mar '24

14 Mar '24

Dear students - with current film or video projects - As cooperation partner of the VIENNA SHORTS Filmfestival I forward to you this invitation for TALENT DAYS 2024 Please excuse the late note; actually the deadline for registration is at the end of this week. Best wishes Thomas Renoldner Animation Lab Anfang der weitergeleiteten Nachricht: Von: Thomas Renoldner <thomas.renoldner(a)viennashorts.com<mailto:thomas.renoldner@viennashorts.com>> Betreff: Wtr: VIENNA SHORTS – Talent Days Invitation Datum: 25. Februar 2024 um 12:54:28 MEZ An: t.renoldner(a)akbild.ac.at<mailto:t.renoldner@akbild.ac.at> ---------- Forwarded message --------- Von: Industry Program <industry(a)viennashorts.com<mailto:industry@viennashorts.com>> Date: Mo., 29. Jan. 2024 um 14:56 Uhr Subject: VIENNA SHORTS – Talent Days Invitation To: Thomas Renoldner <thomas.renoldner(a)viennashorts.com<mailto:thomas.renoldner@viennashorts.com>> After the successful first edition of its Talent Days, the international short film festival VIENNA SHORTS (28.5.–2.6.2024) will again host its new educational and networking event for film and visual arts students. We would like to invite students from your school to participate in the Talent Days 2024! The Talent Days take place at the Film Academy Vienna in the first days of the festival and include * best practice sessions, workshops, a work-in-progress presentation in the presence of international professionals; * formal (and less formal) networking opportunities in an encouraging and friendly festival setting, as well as access to every film screening and other industry events of the festival. Who can participate? The invitation is open to film & visual arts students from Austria’s neighbouring countries, who are interested in attending—with the additional opportunity to participate with their most recent projects in the work-in-progress presentations (please see the attachment). How to apply? The students who are interested in participating and coming to the festival should send an email to industry(a)viennashorts.com<mailto:industry@viennashorts.com> with their name, study year and study course, upon which we will be able to provide them with accreditations and further details. The applications will work on a first come, first serve basis. We can host up to 5 participants per school. The deadline for applications is March 17th. The participation fee is € 75. What is included? * participation in the Talent Days; * possibility of private accommodation (if needed); * accreditation for the entire festival (incl. opening night, film programs, industry events, receptions, etc.); * chance of participating in the work-in-progress presentation (if selected); * travel allowance of € 70 for an environmentally friendly journey to Vienna (by train or car-sharing with at least 3 people) Who to get in touch with? The Talent Days are hosted by VIENNA SHORTS together with Film Academy Vienna. If you have any additional questions, please write to Bojana Bregar (Head of Industry, industry(a)viennashorts.com<mailto:industry@viennashorts.com>). Our festival is dedicated to nurturing young talents and providing them with useful opportunities for their professional development. We are doing our best to create a welcoming environment that promotes equal opportunities and respects diversity of backgrounds, which we try to reflect across the festival programs. We would love to have your students joining us in Vienna and experience the festival! Warm regards from Vienna, Bojana Bojana Bregar (she/her) Industry industry(a)viennashorts.com<mailto:industry@viennashorts.com> viennashorts.com<https://viennashorts.com/> +43 681 107 14786 VIENNA SHORTS MuseumsQuartier Wien | Q21 Museumsplatz 1/5/2 A-1070 Wien<https://goo.gl/maps/NCULiz16HsTxJwxz9> [Facebook]<https://www.facebook.com/viennashorts/>[Twitter]<https://twitter.com/viennashorts>[Instagram]<https://www.instagram.com/viennashorts/>[Vimeo]<https://vimeo.com/viennashorts> [https://www.viennashorts.com/assets/media/logoweiss.jpg]<https://www.viennashorts.com/> 21st International Short Film Festival May 28 to June 2, 2024 Qualifying festival for Academy Awards® European Film Awards BAFTA Film Awards Austrian Film Awards --

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MITTEILUNGSBLATT NR. 22: Stellenausschreibung: Leitung BfÖ, Ausschreibung: Ö1 Talentestipendium, Berufungskommissionen: Kunst und Zeit I Fotografie, Kunst und Intervention I Konzept, Habilitationskommission: S. Eyb-Green; AfG küwi, CuKo Ersatzmitglied
by Gutschi Stefanie 14 Mar '24

14 Mar '24

Liebe Akademieangehörige, das aktuelle Mitteilungsblatt Nr. 22 ist abrufbar unter https://www.akbild.ac.at/de/universitaet/mitteilungsblatt mit folgenden Themen: 1 Stellenausschreibung: Abteilungsleitung Öffentlichkeitsarbeit, Deadline: 11.4.2024 2 Ausschreibung: Ö1 Talentestipendium für bildende Kunst 2024, Deadline: 26.4.2024 3 Einsetzung einer Berufungskommission Kunst und Zeit I Fotografie 4 Einsetzung einer Berufungskommission Kunst und Intervention I Konzept 5 Einsetzung einer Habilitationskommission für Sigrid Eyb-Green 6 Entsendung AfG-Ersatzmitglieder für das künstlerisch-wissenschaftliches Personal 7 CuKo Konservierung/Restaurierung - neues Ersatzmitglied ab WS 2024/25 für Frau Dr. Valentina Pintus, MSc., BSc. Mit freundlichen Grüßen, Stefanie Gutschi _____________________________________________ A...kademie der bildenden Künste Wien Stefanie Gutschi, BA Büro des Rektors Rector's Office Telefon +43 1 588 16-1003 Schillerplatz 3, M5, 1010 Wien s.gutschi(a)akbild.ac.at<mailto:s.gutschi@akbild.ac.at> www.akbild.ac.at<http://www.akbild.ac.at/>

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OPENING - Exhibit Studio 2024/01
by exhibitstudio 13 Mar '24

13 Mar '24

Dear colleagues, There is some hot stuff going on this Thursday, 14.3, at Schillerplatz 1st floor: the opening of our first exhibition for the Exhibit Studio 2024. ALL YOU HAVE IS NOT JUST FLESH AND BONES. 15.3 - 26.5.2024 Opening: 14.3.2024, 18-22h —————— [sujet_body_1080_72_IMG_6119.png] “The history of the body is the history of human beings, for there is no cultural practice that is not first applied to the body.”* How is our body conditioned when it collides with another? Does a body exist only when physically present, or could it live on through a memory? The first exhibition curated by Juan Rodrigo Torres Plata and Jennifer Posny for the Exhibit Studio in 2024 proposes an exploration into the many ways in which our bodies, as (mis)carriers of information, meaning and experiences, express what words can hardly describe. There is a focus on the complexity of human bodily interactions, starting from the vague fundamental barrier between what we consider the inside and the outside: the softest, yet thickest skin that holds us together. It saves our memories, internalizes guilt, externalizes shame; receives and provides touch, sends power. Forgets. Does it really forget? *Beyond the Periphery of the Skin: Rethinking, Remaking, and Reclaiming the Body in Contemporary Capitalism, Silvia Federici, 2020, PM Press, 1st edition, p.119 With contributions by Paulina Aumayr, Julia Becker, Cosma Grosser, Miao Fangping, Maria Gerbaulet, Samira Homayouni, Aklima Iqbal, Natalia del Mar Kašik, Minjae Kim, Rosa Knecht, Minh Phương Nguyễn, Paul Prothesis, Alex Salem, Em Schwarzwald, Friederike Steinert, Svieta Torremorell, Francisco Valenca Vaz, Stefanie Weber. —————— Looking forward to seeing you there and witnessing, together, extraordinary works by equally extraordinary artists. (Drinks on us) ;) Jennifer Posny Juan Rodrigo Torres Plata –––––––––––––––––––––––––––––––––– A...kademie der bildenden Künste Wien Juan Rodrigo Torres Plata and Jennifer Posny Coordination and curation of Exhibit Studio Contemporary Exhibitions Office Schillerplatz 3, 1010 Vienna exhibitstudio(a)akbild.ac.at www.akbild.ac.at

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BEST AVAILABLE COPY 4: From recursive to refiguring. Lecture by Annet Dekker on 13.03. at 6 pm
by Bohlmann Carolin 12 Mar '24

12 Mar '24

As part of the lecture series Best Available Copy 4 – documentation as copy<https://www.akbild.ac.at/en/de/institute/konservierung-restaurierung/verans…>, we will invite you to a lecture by Annet Dekker on 13.03. at 6 pm Annet Dekker: From recursive to refiguring Documentation has become ubiquitous, moving from a way to reflect a past life of an artwork or event, as a copy, a repetition or a derivative, into a practice capable of changing the status of the artwork. In this sense documentation not only future-proofs but also relentlessly (re-)invents and (re-)becomes the artwork The link to the zoom http://tinyurl.com/zoom-to-BAC [cid:38197FBE-794D-447C-AA5A-F0DB1B3FA689.jpeg] A…kademie der bildenden Künste Wien Institute for Conservation-Restoration | modern & contemporary art Institut für Konservierung-Restaurierung | moderne & zeitgenössische Kunst https://tinyurl.com/akbild-IKR-BAC

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It's not that grey... A workshop for BIPoC students with Sara Hassan
by af_gleichbehandlung 12 Mar '24

12 Mar '24

It's not that grey... A workshop with Sara Hassan The workshop is for BIPoC students. Thursday, April 11th, 10.30 a.m. - 1.00 p.m. Room DG18 (Top Floor), building of the institute for Education in the Arts, Karl-Schweighofer-Gasse 3, 1070 Wien Power abuse is not a single-issue problem. Marginalized people disproportionately become targets of harassment, sexual and otherwise, and not by accident. How do various forms of oppression interact here? How does racism, sexism, queerphobia and other forms of discrimination work together to effectively push people out of systems? How are these dynamics reflected in perpetrators' strategies, bystander actions, and systemic patterns? In this workshop, we will work through a tailored case study from a BIPOC perspective to identify the escalation levels of harassment and look at how various discriminatory dynamics come into play when people become targets. How and where does power abuse start, how can we identify early warning signs and develop an intersectional understanding of power abuse and harassment? This is an interactive workshop with practical examples. We would like to invite you to send specific case studies, red flags/warning signs, or patterns that you have noticed to the workshop leader: kontakt(a)sarahassan.at<mailto:kontakt@sarahassan.at>. All cases will be treated completely confidentially, only patterns will be used to illustrate the specific case study. [cid:image002.jpg@01DA749A.72EE81F0] [cid:image006.png@01DA749A.72EE81F0]Sara Hassan, writer, moderator, and keynote speaker, has been working on the topic of abuse of power and harassment since 2015. After many years of international work in the field of political communication (including in the EU Parliament), the co-author of the book Grauzonen gibt es nicht (It's not that grey<https://periodbrussels.eu/wp-content/uploads/2019/04/Its-not-that-Grey_Peri…>) gives lectures and holds workshops on how to spot early warning signs of power abuse. After completing an interdisciplinary Master's degree at New York University as a Fulbright-Austria scholar, Sara now works throughout Europe as an expert on the topic of abuse of power. As the number of participants is limited (max. 18), registration is essential. Registration is possible until 07.04.2024 at af_gleichbehandlung(a)akbild.ac.at<mailto:af_gleichbehandlung@akbild.ac.at>. Please let us know if you are unable to attend at short notice so that we can pass on your spot. Water and hot drinks will be provided. The workshop will be held in English. Follow this link<https://www.akbild.ac.at/en/university/locations?set_language=en> for accessibility details. Please let us know if you require hearing aid tools. The workshop is organized and financed by the Equal Opportunities Team (AfG), Schillerplatz 3, M19b, 1010 Vienna.

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JOBS: stud. Mitarbeit-Hochschulforschung/freie Mitarbeit-Kunstvermittlung
by studentwelcome 12 Mar '24

12 Mar '24

Liebe Studierende / dear students, I forward two job offers that may be interesting for students: 1. Studentische Mitarbeit Hochschulforschung am IHS (siehe Ausschreibung im Anhang) 2. Freie Mitarbeit Kunstvermittlung Museum Gugging. Details siehe Link: https://karriere.noeku.at/Freie-Dienstnehmerinnen-im-Bereich-Kunstvermittlu… If you are interested, please contact directly the publishing institutions. Liebe Grüße / best regards, Christina Fasching -------------------------------------- A...kademie der bildenden Künste Wien Study information on Kiosk:<https://kiosk.akbild.ac.at/de> [Titelbild bunt Online-Plattform] kiosk.akbild.ac.at<https://kiosk.akbild.ac.at/> kiosk(a)akbild.ac.at<mailto:kiosk@akbild.ac.at> Mag.a Christina Fasching Koordination Student Welcome Center Behindertenbeauftragte für Studierende contact person accessible studies Telefon +43 1 588 16 1205 Erdgeschoß, Raum E7a ground floor, room E7a Schillerplatz 3, 1010 Wien c.fasching(a)akbild.ac.at<mailto:c.fasching@akbild.ac.at> www.akbild.ac.at<http://www.akbild.ac.at/>

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Impact Academy Residency Genalguacil 2024
by wissenstransfer 12 Mar '24

12 Mar '24

Impact Academy Residency in Genalguacil (Andalusien, Spanien) (English Version Below) Das kleine Dorf Genalguacil (472 Bewohner*innen) in den andalusischen Bergen, hat vor dreissig Jahren mit einem durch die Bevölkerung initiierten "Artist in Residence Programm" (Encuentros de Arte), der Depopulation mit Kunst und Kultur den Kampf angesagt. Jahre später kam es zum bau des Public Museo Genalguacil, dem aktuell auch noch das LAB Genalguacil hinzu kommt. Ein Ort der sich mit Themen wie "Rural Innovation“ und „Impact of Arts“ auseinandersetzt. Im Zentrum stehen künstlerisch forschende Aktivitäten, die Einbindung von Gemeinschaften und der Ausbau von zwischenmenschlichen Beziehungen durch Kunst, Kultur und Natur. Mit der Impact Academy der Akademie der bildenden Künste Wien wird nun eine neue Ära im Gestalten von „Residency“ Programmen gestartet. Weil über das klassischen Verständnis einer Residency hinaus, werden hier Personen und Projekte der Akademie in den Entwicklungsprozess eingebunden und gestalten den Beziehungsraum Genialguacil mit. Als Experiment, um den Herausforderungen unserer Zeit gemeinsam mit lustvollen und klugen Lösungen mit künstlerischem Anspruch zu begegnen. Die ersten beiden Künstler:innen die für die Residency von April bis Juni 2024 von einer Jury bestehend aus Vertreter*innen des Pueblo Museo Genalguacil und der Akademie der bildenden Künste Wien ausgewählt wurden sind Irene Lucas und Patricio Sota. Irene Lucas ist bildende Künstlerin, Forscherin an der Akademie und Gründerin von Solarmanufaktur.at und art space toZOMIA. Ihre künstlerische Praxis vernetzt Methoden der Natur-, Kunst- und Spielpädagogik, die lokal wirken und gleichzeitig globale Zusammenhänge reflektieren. Patricio Sota ist Künstler und studiert Architektur an der Akademie. Sein künstlerisches Architekturverständnis speist sich aus der Idee eines beweglichen Herds und initiiert Kochperformances und Küchenentwürfe als soziales Happening um damit ein Zuhause zu schaffen. Im Zuge des dreissigjährigen Jubiläums des Museums in Genalguacil werden in Kooperation mit der Akademie der bildenden Künste Wien mehrere Ausstellungen und Happenings stattfinden, wie zum Beispiel ein Beitrag zum New European Bauhaus Satellite Event im April in Genalguacil und eine Präsentation der Kooperation in Circulo de Bellas Artes Madrid gemeinsam mit dem österreichischen Kulturforum in Madrid. Weiterführende Links: Pueblo Museo Genalguacil: https://pueblomuseo.com<https://pueblomuseo.com/> Irene Lucas: https://tozomia.net<https://tozomia.net/> Patricio Sota: https://www.instagram.com/foodw.alk _______________________________________________________ Impact Academy Residency in Genalguacil (Andalusia, Spain) The small village of Genalguacil (472 inhabitants) in the Andalusian mountains is fighting depopulation with art and culture. Therefore, thirty years ago an "Artist in Residence Programme" (Encuentros de Arte) was initiated by the local population. Years later, the Public Museo Genalguacil was built, to which the LAB Genalguacil is currently being added. A place that deals with topics such as "Rural Innovation" and "Impact of Arts". The focus is on artistic research activities, the involvement of communities and the development of interpersonal relationships through art, culture and nature. The Impact Academy of the Academy of Fine Arts Vienna is now launching a new era in the design of residency programmes. Because beyond the classic understanding of a residency, people and projects from the Academy are involved in the development process and help shape the Genialguacil relationship space. As an experiment to meet the challenges of our time together with fun and clever solutions with artistic aspirations. The first two artists to be selected for the residency from April to June 2024 by a jury consisting of representatives of the Pueblo Museo Genalguacil and the Academy of Fine Arts Vienna are Irene Lucas and Patricio Sota. Irene Lucas is a visual artist, researcher at the Academy and founder of Solarmanufaktur.at and art space toZOMIA. Her artistic practice combines methods of nature, art and playful education that have a local impact and at the same time reflect global contexts. Patricio Sota is an artist and studies architecture at the Academy. His artistic understanding of architecture is fuelled by the idea of a mobile stove and initiates cooking performances and kitchen arrangements as social happenings around the idea of home. In the course of the thirtieth anniversary of the museum in Genalguacil, several exhibitions and happenings will take place in cooperation with the Academy of Fine Arts Vienna, such as a contribution to the New European Bauhaus Satellite Event in April in Genalguacil and a presentation of the cooperation in Circulo de Bellas Artes Madrid together with the Austrian Cultural Forum in Madrid. Further links: Pueblo Museo Genalguacil: https://pueblomuseo.com<https://pueblomuseo.com/> Irene Lucas: https://tozomia.net<https://tozomia.net/> Patricio Sota: https://www.instagram.com/foodw.alk [Solarmanufaktur_Daniel Nasr.jpeg][Mail-Anhang.png] [DSC08870_Gabriel Ogbonna, promeNOODology, EASA.jpeg][MEGAWORLD_PIA-RUBEN.jpeg] [Genalguacil.jpeg][Genalguacil_Community.jpeg]

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CALL: Unterstützungsfonds 2024 / Student Assistance Fund 2024
by Vizerektorin_Kunst_Lehre 12 Mar '24

12 Mar '24

///// English version below ///// Unterstützungsfonds Die Akademie der bildenden Künste Wien möchte mit dem Unterstützungsfonds sozial benachteiligten Studierenden aus Drittstaaten*, Staatenlosen, subsidiär Schutzberechtigten und Konventionsflüchtlingen eine finanzielle Hilfestellung bieten und stellt daher eine Summe aus den Erlösen der jährlichen Akademie Auktion zur Verfügung. Die Vergabe des Unterstützungsfonds erfolgt jährlich durch das Vizerektorat Kunst | Lehre. Es besteht die Möglichkeit sowohl für den Unterstützungsfonds<https://www.akbild.ac.at/de/studium/stipendien-preise/akademiestipendien/un…> als auch für das 2nd Year Scholarship<https://www.akbild.ac.at/de/studium/stipendien-preise/akademiestipendien/se…> einzureichen. Bitte beachten Sie jedoch, dass Ihnen nur eines der beiden Stipendien zuerkannt werden kann. Bewerbungsvoraussetzungen * Aktiv betriebenes ordentliches Diplom-, Bachelor- oder Masterstudium an der Akademie der bildenden Künste Wien. * Staatsbürger_innenschaft eines Drittstaates* oder Staatenlose, subsidiär Schutzberechtigte und Konventionsflüchtlinge. * Soziale Bedürftigkeit. * Studierende, die im Besitz einer Rot-Weiß-Rot Karte sind, sind von der Teilnahme ausgeschlossen. * Ausgenommen sind alle Vertragsstaaten des EWR sowie die Schweiz und das Vereinigte Königreich (Vertragsstaaten der EWR sind zum einen die 27 EU-Mitgliedsstaaten und zum anderen die sogenannten EFTA-Staaten Island, Liechtenstein und Norwegen). Austauschstudierende und Doppelstaatsbürger_innen eines EWR-Vertragsstaates (inkl. Schweiz, Vereinigtes Königreich) kommen für ein Stipendium prinzipiell nicht in Frage. Einreichung Bewerbungsfrist 12.03. bis 23.04.2024, 11:00 h Eine Antragsstellung erfolgt ausschließlich über https://calls.akbild.ac.at/. Bei Fragen zur Ausschreibung kontaktieren Sie bitte das Vizerektorat Kunst | Lehre unter: akademiestipendien(a)akbild.ac.at<mailto:akademiestipendien@akbild.ac.at> Für die Einreichung erforderlich: 1. Antrag (Dateigröße: max. 15 MB) * Gültiger Lichtbildausweis (Personalausweis, Reisepass o.ä.) * Studienzeitbestätigung * Studienerfolgsnachweis (abrufbar auf Campus Online - Studien - Studienerfolgsnachweis): * Prüfungsaktivität der letzten beiden Semester * Wenn Sie noch am Anfang Ihres Studiums sind, bitte übermitteln Sie die Prüfungsaktivität der bisher absolvierten Lehrveranstaltungen und die derzeit belegten Lehrveranstaltungen. * tabellarischer Lebenslauf * Ein Empfehlungsschreiben von einer_einem Lehrenden der Akademie der bildenden Künste Wien, in dem auf die soziale Bedürftigkeit, den bisherigen Studienerfolg sowie auf die Motivation für das Studium eingegangen wird. * Konsistente und fortlaufende Bankkontoauszüge der letzten drei Monate 1. Meldebestätigung ("Meldezettel") Bitte beachten Sie, dass beide Dokumente separat als PDF-Dateien hochzuladen sind, mit folgender Dateibenennung: 1. Antrag_Name_UNTF24 2. Meldezettel_Name_UNTF24 Es können nur Bewerbungen mit vollständigen Angaben und Unterlagen, die den oben angeführten Kriterien entsprechen, berücksichtigt werden. Bitte beachten Sie, dass die Einreichfristen unbedingt eingehalten werden müssen, zu spät oder unvollständig eingereichte Anträge können leider nicht mehr berücksichtigt werden. ///// English version ///// Student Assistance Fund With the support fund, the Academy of Fine Arts Vienna would like to offer financial assistance to socially disadvantaged students from third countries*, stateless persons, persons entitled to subsidiary protection, and convention refugees and, therefore, provides a sum from the proceeds of the annual Academy Auction. The support fund is allocated annually by the Vice-Rectorate for Arts | Teaching. It is possible to apply for both the Student Assistance Fund <https://www.akbild.ac.at/en/studies/scholarships-prizes/academy-scholarship…> and the 2nd Year Scholarship<https://www.akbild.ac.at/en/studies/scholarships-prizes/academy-scholarship…>. Please note, however, that only one of the two scholarships can be awarded to you. Terms and conditions of participation * Actively running a regular diploma, bachelor's, or master's program at the Academy of Fine Arts Vienna. * Citizenship of a third country* or stateless persons, beneficiaries of subsidiary protection, and Convention refugees. * Social need. * Students who have a Rot-Weiß-Rot Card are excluded from participation. * Except all member states of the EEA, Switzerland, and the United Kingdom (the EEA includes the 27 EU-member states and the so-called EFTA-states Iceland, Liechtenstein, and Norway). Exchange students and dual citizens of an EEA member state (incl. Switzerland and the United Kingdom) do not qualify for this grant. Submission Application period: 12.03. to 23.04.2024, 11:00 a.m. An application is only possible via https://calls.akbild.ac.at/. If you have further questions regarding the call for applications, please get in touch with the Vice Rectorate Art | Teaching at akademiestipendien(a)akbild.ac.at<mailto:akademiestipendien@akbild.ac.at> Necessary for submission: 1. Application (file size: max. 15 MB) * Valid photo ID (identity card, passport, or similar) * Confirmation of study period * Proof of Study Success (available via Campus Online - Studies - Studienerfolgsnachweis): * Examination activity of the last two semesters. * If you are still at the beginning of your studies, please submit the examination activity of the courses you have taken and the courses you are currently enrolled in. * Tabular curriculum vitae (CV) * A letter of recommendation from a teacher at the Academy of Fine Arts Vienna addressing social needs, previous academic success, and motivation for study. * Consistent and continuous bank account statements for the last three months. 1. Current residence registration certificate (Meldebestätigung/"Meldezettel") Please note that both documents must be uploaded separately as PDF files with the following file names: 1. Application_Name_UNTF24 2. Meldezettel_Name_UNTF24 Only applications with complete information and documents that meet the above criteria can be considered. Please note that the submission deadlines must be strictly adhered to; applications submitted late or incomplete cannot be considered. Mit freundlichen Grüßen / With kind regards Ingeborg Erhart -------------------------------------- A...kademie der bildenden Künste Wien Mag.a Dr.in Ingeborg Erhart Vizerektorin für Kunst und Lehre Vice-Rector for Art and Teaching Telefon +43 1 588 16 1200<tel:+43%201%20588%2016%201300> Schillerplatz 3, 1010 Wien i.erhart(a)akbild.ac.at<mailto:i.erhart@akbild.ac.at> www.akbild.ac.at<http://www.akbild.ac.at/> Facebook<https://www.facebook.com/akbild.ac.at> Instagram<https://www.instagram.com/akbild/> Twitter<https://twitter.com/akbild?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5E…>

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2024

2023

Alle_studierende March 2024

2024

2023

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