May 2024 - Medien - lists.akbild.ac.at

Rehearsal | MQ Performance
by Siri Baden 31 May '24

31 May '24

Dear MQ-Performers, save the date: We will have an equipment rehearsal for the MQ Performance the day before the actual performance on *Thursday June 13th at 6pm* in our studio space at *Lehargasse*. All the best, Siri

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next class meeting - 29.05.24 - 2pm @ Kunsthalle Wien
by Stockburger Axel 27 May '24

27 May '24

hi there, for our next class meeting on coming wednesday 29.05.24 we will meet at Kunsthalle Wien at 2pm in order to get an introduction to an visit the exhibition “Genossin Sonne”. GENOSSIN SONNE Curators: Dr. Inke Arns (Director of HMKV Hartware MedienKunstVerein) and Andrea Popelka (Kunsthalle Wien) Artists: Kobby Adi • Kerstin Brätsch • Colectivo Los Ingrávidos • Nicholas Grafia & Mikołaj Sobczak • Sonia Leimer • Maha Maamoun • Wolfgang Mattheuer • Marina Pinsky • Katharina Sieverding • The Atlas Group • The Otolith Group • Huda Takriti • Suzanne Treister • Anton Vidokle • Gwenola Wagon • Hajra Waheed … Exhibition design: Marlene Oeken & Martha Schwindling A joint exhibition of Kunsthalle Wien and Wiener Festwochen | Freie Republik Wien In the eighteenth century, the term “revolution” came to designate a “violent overthrow of the existing political and social order,” a meaning fixed by the French Revolution. Before that time, astronomers had long used it to describe the orbits of the celestial bodies. <https://kunsthallewien.at/en/exhibition/genossin-sonne/> [2024-05-15-kunsthalle-wien-00488-30x40-1-1280x960.jpeg] Genossin Sonne<https://kunsthallewien.at/en/exhibition/genossin-sonne/> kunsthallewien.at<https://kunsthallewien.at/en/exhibition/genossin-sonne/> !! Please be on time as we have somebody giving us an introduction !! Looking forward to seeing you there best Axel

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SLIME 3 - Friday May 24, 2024 - 3pm - Zoom
by Stockburger Axel 22 May '24

22 May '24

Betrifft: LV 050.183 24S 1SSt WS Workshop B4 Teilnehmende der folgenden LV-Gruppe(n):Standardgruppe hi there, you are invited to the third meeting of the SLIME workshop conceived by Joshua Simon. Time: Friday May 24, 2024 03:00 PM Vienna Join Zoom Meeting https://akbild-ac-at.zoom.us/j/68523535413?pwd=dS8vQmFXaGZyUDNpcTBTSi9HUGcy… Meeting ID: 685 2353 5413 Passcode: 3$=+62 [cid:4f5ccc13-e7f0-4be1-a694-7598ada7b173@akbild.ac.at] In the coming meeting, our guest will be Ruth Patir. Ruth Patir fuses documentary with computer-generated imagery in a quest to expand the possibilities of realism. Ruth’s works often begin with the artist’s autobiography, and gradually open up to address larger societal issues, such as the politics of gender, technology, and the hidden mechanisms of power. Ruth received her MFA in New Genres from Columbia University in New York (2015) and her BFA from the Bezalel Academy of Art and Design in Jerusalem (2011). Her recent solo show, titled “My Father in the Cloud’’ (2022), was presented at the Center for Contemporary Art in Tel Aviv. In this project, the artist confronts her personal relationship to technology through the grief over her father’s passing. Her 3D animation, “Love Letters to Ruth’’ (2018), was presented at Hamidrasha Gallery - Hayarkon 19 in Tel Aviv. Her film, “Sleepers’’ (2017), before winning the Video and Experimental Cinema and Video Art Award at the Jerusalem Film Festival, was shown at Danspace Project in New York on former president Trump’s inaugural day in office. Below you can find some material about the presentation: 1. https://slime.secession.at/ 2. My Father in the Cloud, 2022 , Director Ruth Patir wants to dance with her late father again. In her docu-animation film she employs new technologies, from motion detection to AI, to reanimate the family archive whilst trying to cheat death in the era of virtual realities. https://vimeo.com/946964126/e79e8c9814?share=copy 3. https://sternthalbooks.com/video/in-the-studio-with-ruth-patir/ Looking forward to seeing you there allthebest Axel Stockburger

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Zoom Meeting Tomorrow at 1:15pm | MQ Performance
by Siri Baden 21 May '24

21 May '24

Dear all, we will meet with *everyone* who is on the attendee list *tomorrow* (Wednesday 22.)* at 1:15 pm* (there is no regular class meeting tomorrow due to admission exams) *via Zoom:* Zoom Meeting: https://us05web.zoom.us/j/84379355595?pwd=6KOnI4sBLeX3gHI1pYGaVQJPRvQM2V.1 Meeting-ID: 843 7935 5595 Kenncode: 3Chda7 We will exchange our performance ideas and work out the time slots for each one. Please come. If you really can't make it, please let me know asap. All the best, Siri -- *SIRI BADEN * (they/them) 1200 Vienna Austria +491752012697 siribaden(a)gmail.com www.siribaden.com

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Meeting next Wednesday | MQ Performance
by Siri Baden 16 May '24

16 May '24

Dear all, Since the MQ Performance evening is coming closer and there are still open questions in regard to the time frame of each slot, I think it would make sense to meet with *everyone* who is on the attendee list on *Wednesday 22. at 2pm* (there is no regular class on that day) *via Zoom:* https://us05web.zoom.us/j/86206313990?pwd=XmOhMJJsrDhKeVnzsSsPLxxIktllsD.1 Meeting-ID: 862 0631 3990 Kenncode: 5Fw54h We will exchange our performance ideas and work out the time slots for each one. Please come. If you really can't make it, please let me know asap. And as a reminder: May 23.: Deadline for filling out the equipment column in the list. May 24: Meeting with technicians at the MQ stage All the best, Siri -- *SIRI BADEN * (they/them) 1200 Vienna Austria +491752012697 siribaden(a)gmail.com www.siribaden.com

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FOCUS ON Annja Krautgasser | 24. Mai | 19 Uhr und 21 Uhr | Breitenseer Lichtspiele
by Marlies Poeschl 15 May '24

15 May '24

warmly recommended! - *HERZLICHE EINLADUNG zur letzten FOCUS ON-Veranstaltung vor der Sommerpause, welche sich dem **vielseitigen * *und **umfassenden Schaffen der international agierenden Künstlerin und Filmemacherin Annja Krautgasser widmet. * *Neben einer kleinen Auswahl ihrer zu Beginn der Nullerjahre entstandenen synästhetischen Experimentalvideos – * */rewind/ und /Frame/ – wird u.a. auch die Videoarbeit /Romanes/ präsentiert, die im Rahmen eines Workshops * *mit Roma und Sinti-Jugendlichen entstanden ist. Neben weiteren Kurzfilmen gelangen zwei Arbeiten aus dem * *bereits sechs Filme umfassenden „Szenen-Zyklus“ zur Aufführung – /Dachszenen/, sowie /Beziehungs:szenen/, * *Krautgassers aktuelles Langfilm-Debüt aus 2024, das im Rahmen von FOCUS ON, nach seiner Uraufführung bei * *der diesjährigen **DIAGONALE-Festival des Österreichischen Films, zur Wienpremiere gelangen wird!!!* * * *19 Uhr | *Kurzfilmprogramm <https://breitenseer-lichtspiele.at/event/focus-on-annja-krautgasser?>**(8 Kurzfilme) *21 Uhr | **Beziehungs:szenen <https://breitenseer-lichtspiele.at/event/focus-on-annja-krautgasser-2?> *(Dokumentarfilm | 2024 | 80 min | OmeU) - davor: */Prelude/*| 2007 | 3.30 min Nach den jeweiligen Programmen findet ein Publikumsgespräch mit der Regisseurin Annja Krautgasser statt. Gestaltung und Moderation: Lotte Schreiber © Annja Krautgasser (Beziehungs:szenen) In /*Beziehungs:szenen*/ wagt Annja Krautgasser ein spannendes filmisches Experiment und inszeniert vor laufender Kamera eine Familienaufstellung, in der sich ihre Eltern, ihr Ehemann, ihr Bruder und ihre Halbschwester fiktiv begegnen. Oft spricht man in der Familie nicht über die eigenen Probleme, sondern lebt in oberflächlicher Harmonie nebeneinanderher. Beziehungs:szenen setzt sich mit unterschiedlichen Rollenzuschreibungen, gegenseitigen Erwartungen und Abhängigkeiten innerhalb des familiären Systems auseinander – und stellt Fragen, die in Familien meist nicht thematisiert werden. Schauspieler*innen übernehmen den Part der jeweiligen Familienmitglieder der Regisseurin. Die Begegnung wird angeleitet von Nina Fog, die als Therapeutin den Rahmen für die emotionalen Diskussionen und die intensive Innenschau der Figuren schafft. So bricht Sophie Resch als Alva in Tränen aus, als sie von ihrer Überforderung und Überlastung, von einem bindungsgestörten Kleinkind und vom uneinsichtigen Ehemann berichtet. Bei ihrer Mutter Elfriede, die Christina Reichsthaler als tough anlegt, stößt Alva auf Unverständnis; bei ihrem despotischen Vater Herbert, der in der Aufstellung von Matthias Böhm verkörpert wird, löst ihr Verhalten regelrechte Hasstiraden auf Frauen aus. Krautgassers Versuchsanordnung, die von einer psychosozialen Beraterin begleitet wird, hebt komplexe Beziehungsstrukturen innerhalb des familiären Systems hervor und setzt sich mit unterschiedlichen Rollenzuschreibungen, gegenseitigen Erwartungen und Abhängigkeiten auseinander. Oftmals werden normative Vorstellungen unbewusst von einer Generation an die nächste weitergegeben und Konflikte nicht angesprochen. Indem sich die Teilnehmer*innen der Familienaufstellung einander annähern, sich gegenseitig nachempfinden oder aufeinander wütend werden, kommen erstaunliche Aspekte der dargestellten Persönlichkeiten zum Vorschein, während sich emotionale Bindung und Dialog als Fundamente funktionierender Beziehungen herausstellen. Obwohl die Figurenkonstellation auf der Familie der Regisseurin beruht, bekommt der Film damit eine allgemeingültige Aussage. (Text © Anna Steinbauer, DIAGONALE 2024) /Sorry for Crossposting!/

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GPC Lab - Open Call until 06/06/2026
by Poeschl Marlies 10 May '24

10 May '24

Dear all, The open call for the new GPC Lab season is online and might be of interest :) Warm wishes Marlies View this email in your browser<https://mailchi.mp/91ac6c5725bd/gpc_lab-6731956?e=16c7d0f3a2> (English version below) [https://mcusercontent.com/c752569f0216a05ef735c3b68/_compresseds/b91229f3-5…] The Golden Pixel Cooperative invites artists to apply for the GPC Lab<https://goldenpixelcoop.us13.list-manage.com/track/click?u=c752569f0216a05e…>! The GPC Lab offers support and dramaturgical guidance for short or medium-length innovative, experimental film, video or moving image works. The programme will take place between late 2024 and late 2025. Three artists will be invited to participate with their submitted projects on this year's topic "Timecodes. Temporality and Consequences". Programme How can time concepts that take different lived realities into account be artistically conceived and realized? What do temporalities mean in relation to the social and political structures that organize them and through which they are shaped? We invite artists to use specific approaches to explore, reflect on and construct the experience and representation of time. Terms such as: Time Accessibility, Actuality, Memory. Cut Sick Time, Sleepy Time. Ancestral Time, Productivity, Sustainability! Process? Crip Time, Queer Time, Quality Time, Future. Chrononormativity, measurement. History, Attention economies, Beat, Cycle, Biography. Temporal and racial justice Pause?Time Accessibility, Actuality, Memory. Cut Sick Time, Sleepy Time. Ancestral Time, Productivity, Sustainability! Process? Crip Time, Queer Time, Quality Time, Future. Chrononormativity, measurement. History, Attention economies, Beat, Cycle, Biography. Temporal and racial justice Pause? offer initial impulses for the topic of this year's GPC Lab. The GPC Lab offers a framework for the production of film, video and moving image works in different phases of production. The focus is on individual dramaturgical advice and is defined according to the needs of the project. The dramaturgical advice can be focussed on various concerns (e.g. script writing, editing, documentary or virtual filming,...) and the consultation dates can be freely chosen within the programme period. The choice of dramaturg (GPC external experts) is made in consultation between the organizers and the Lab participants. In addition, participants are offered the opportunity to benefit from the exchange and synergies of the Lab group and the connection with the GPC (invitations to workshops, network meetings and jour fixes). The Lab aims to create a productive, artistic-social environment for the realization of the film projects. In a final presentation, the projects will be offered a platform for visibility and discourse (such as a workshop format or the presentation of the finished artistic work). A GPC-external jury will select three projects from the submissions to participate in the Lab. The open call is aimed at artists who would benefit from the programme and would appreciate the Lab accompanying their projects, free of charge. The Golden Pixel Cooperative (GPC) is an association for moving images, arts and media, active within both exhibition and cinema contexts. It was founded from the need to act collectively in a predominantly individual cultural landscape. With a critical, feminist and anti-discriminatory approach, we work on the production, distribution, and presentation of artworks and discourses. We foster empowerment and solidarity by enabling exchange and support between artists, cultural workers, educators and thinkers. Collectively, we work on projects that have various formats such as screenings, exhibitions, symposia and publications. Application Please send the application as a PDF in English! The project itself can be in German or English. Applications should include: * Artistic CV with work samples * Description of the project (content, project status, plan for implementation, etc.; max. 3 pages) * Reference to the topic "Timecodes. Temporality and Consequences" (approx. 1/4 page) * What do you expect from the dramaturg? What would you like to work on together? (approx. 1/4 page) * Names of dramaturgs who you would like to work with (GPC-external, international or local experts) Please send applications to: gpclab(a)goldenpixelcoop.com<mailto:gpclab@goldenpixelcoop.com> Application deadline: 06/06/2024 (23:59 CET) Please read the conditions carefully. If participating in the Lab, applicants agree to the following terms: Lab Agreement<https://goldenpixelcoop.us13.list-manage.com/track/click?u=c752569f0216a05e…> Each applicant will receive an acknowledgement of receipt by email. Applications received after the deadline or incomplete applications will not be considered. Only one application per person is possible. The jury's decision will be announced in mid June 2024. Procedure * Announcement of the jury's decision on the three selected projects * Networking meeting and workshop of the Lab participants in Vienna in autumn 2024 (1 day. Travel costs are to be borne by the participant). * Collective search for a dramaturgical accompaniment for the project * Three individual sessions of dramaturgical advice * Connection to the GPC network * Final presentation in Vienna in autumn 2025 (Travel expenses for the presentation can be paid). Contact people for the GPC Lab: Marlies Pöschl and Iris Blauensteiner at gpclab(a)goldenpixelcoop.com<mailto:gpclab@goldenpixelcoop.com> Web: https://www.goldenpixelcoop.com<https://goldenpixelcoop.us13.list-manage.com/track/click?u=c752569f0216a05e…> Call: Link<https://goldenpixelcoop.us13.list-manage.com/track/click?u=c752569f0216a05e…> Image Credit Katja Verheul:<https://goldenpixelcoop.us13.list-manage.com/track/click?u=c752569f0216a05e…> “Red Dust”, 2024, 4K video, 17 min, video still Contains EUMETSAT DUST RGB/MSG footage 2022 © Katja Verheul Katja Verheul participated in the GPC Lab 2023/2024 [https://mcusercontent.com/c752569f0216a05ef735c3b68/images/5e109469-2402-1c…] [https://mcusercontent.com/c752569f0216a05ef735c3b68/images/8fdce63d-cdd9-d7…]<https://goldenpixelcoop.us13.list-manage.com/track/click?u=c752569f0216a05e…> [https://mcusercontent.com/c752569f0216a05ef735c3b68/images/e6b5da9e-3700-40…]<https://goldenpixelcoop.us13.list-manage.com/track/click?u=c752569f0216a05e…> Sign up for our Newsletter<https://goldenpixelcoop.us13.list-manage.com/track/click?u=c752569f0216a05e…> [Facebook page]<https://goldenpixelcoop.us13.list-manage.com/track/click?u=c752569f0216a05e…> [Golden Pixel Cooperative]<https://goldenpixelcoop.us13.list-manage.com/track/click?u=c752569f0216a05e…> [Email]<mailto:info@goldenpixelcoop.com> [Instagram]<https://goldenpixelcoop.us13.list-manage.com/track/click?u=c752569f0216a05e…>

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Fwd: 2024-0.166.576, Ausschreibungen 2024 Startstipendien BK, AD, FOTO, MK und MODE
by Ruhm Constanze 07 May '24

07 May '24

Perhaps of interest for some you! best Constanze ________________________________ A...kademie der bildenden Künste Wien Univ. Prof. Mag. Constanze Ruhm Institut für bildende Kunst Kunst und Zeit | Medien Lehargasse 8, 1060 Wien c.ruhm(a)akbild.ac.at www.akbild.ac.at Anfang der weitergeleiteten Nachricht: Von: "Schwabl, Alexandra" <alexandra.schwabl(a)bmkoes.gv.at> Betreff: 2024-0.166.576, Ausschreibungen 2024 Startstipendien BK, AD, FOTO, MK und MODE Datum: 7. Mai 2024 um 08:10:34 MESZ An: Undisclosed recipients:; Sehr geehrte Damen und Herren! Ich darf Sie ersuchen bei Fragen direkt den/die Sachbearbeiter:in im angeführten Schreiben zu kontaktieren. Vielen Dank! Mit freundlichen Grüßen Bundesministerium für Kunst, Kultur, öffentlicher Dienst und Sport Sektion IV – Kunst und Kultur Teamassistenz Alexandra SCHWABL +43 1 71 606 - 0 Concordiaplatz 2, 1010 Wien alexandra.schwabl(a)bmkoes.gv.at<mailto:alexandra.schwabl@bmkoes.gv.at> bmkoes.gv.at<http://www.bmoeds.gv.at/> [cid:2f3be4cb-e684-4cd4-aaf4-bccb2f23ea73@akbild.ac.at]

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Class Meeting & Guest Lecture - Amanda Beech - Wed 08.05.24 - 2pm - media class
by Stockburger Axel 06 May '24

06 May '24

hi there, this is just a reminder for our next class meeting on coming wednesday 08.05.2ß24 at 2pm where we will have a guest lecture by Amanda Beech about Art as a Propositional Material. The lecture will focus on a set of video art projects dealing with the question of agency and power. Most specifically, we will look at how the fictions that art and popular culture produce have produced conventions and norms that form our view of society for better and for worse. Debating knowledge, conspiracy, post-truth conditions and the force of the implacable images, this presentation will address how the construction of a method or approach to developing works from studio to public manifestation translates to a politics for art. Amanda Beech is an artist and writer. Her work entangles narratives of power, cause and contingency from philosophical theory, science, literature and real political events. Here the material conditions of thought, myth and fiction that seem necessary for an account of human agency are explored as forms of ideological and rhetorical force. In video, painting, print and sculpture her work proposes art as a form of intelligence and power beyond the ideals of capitalism and the limits that art has set for itself by means of its critiques. She has exhibited widely in various Biennales and has written texts for anthologies and museum catalogues. She has edited numerous books including being the contributing editor of Construction Site for Possible Worlds, 2019, Urbanomic/MIT Press and Cold War, Cold World, Urbanomic, 2015. Her recent work includes an essay on Jean Francois Lyotard’s exhibition Les Immateriaux for Beyond Matter, ZKM, Karlsruhe, and a solo show at Twelve Ten Gallery, Chicago. Recent talks include Map of the Bomb, as part of her role as visiting professor at Aalto University Finland and The Question of Realism, for Vienna University of the Angerwandte as part of her role as Visiting Professor at the Vienna Akademie of Art. Forthcoming work includes a new book on art, aesthetics and philosophy; The Intolerable Image, from MIT. Looking forward to seeing you there Axel Doz. Mag. Dr. Assoc. Prof. Axel Stockburger  Art & Time / Media Academy of Fine Arts, Vienna 1060 Wien, Lehargasse 8/II a.stockburger(a)akbild.ac.at

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DEADLINE | Performance Evening at MQ
by Siri Baden 03 May '24

03 May '24

*+++ Important +++* Dear all, We need to know who is participating in the MQ performance evening: You have time to sign up with your name until Sunday May 12th (11:59pm). Please put your *name*,* type of contribution*, a* short descriptive text*, a *title* (if you have one), and your *social medias* in the list. We/MQ needs these infos in order to be able to announce the evening online: https://docs.google.com/document/d/1-r0mvhXPjl7SW-eUeVdgu0ppFJtSzHEXgBQ_-X2… Also, *please upload images* that represent your performances here: https://drive.google.com/drive/folders/1kwg70lJKGwyvqLZZlQhQVrFpg8N_UaW9?us… The most important thing is that you put your name in the list in case you would like to participate (or erase your name in case you changed your mind). Some other deadlines/dates are: *May 23*.: Deadline for filling out the *equipment* columns *May 24, 11am*.: Meeting with technician at the summer stage in MQ Thank you and have a nice weekend! Siri -- *SIRI BADEN * (they/them) 1200 Vienna Austria +491752012697 siribaden(a)gmail.com www.siribaden.com

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