May 2023 - Medien - lists.akbild.ac.at

Today at flucc - plants as a site of knowledge
by Poeschl Marlies 24 May '23

24 May '23

plants as a site of knowledge Film screening (in person and online), billboards and workshop Billboards presentation: 24.05.2023  / 19:30 Uhr Film screening: 24.05.2023  / 20:00 Uhr Botanical walk: 25.05.2023 / 17:30 Uhr Online film screening: 25.05.-01.06.2023 / 20:00-21:35 Uhr Flucc Wien<https://href.li/?https://www.fluc.at>, Praterstern 5, 1020 Vienna Online film screening: https://streaming.goldenpixelcoop.com<https://href.li/?https://streaming.goldenpixelcoop.com> Films by: Patricia Esquivias, Hanna Rullmann<https://href.li/?http://www.hanna-rullmann.com> & Faiza Ahmad Khan, Shireen Seno<https://shireenseno.tumblr.com>, Tin Wilke<https://href.li/?https://tinwilke.xyz> & Miguel Goya<https://href.li/?http://bucovinacine.com> Billboards by: Pille-Riin Jaik<https://href.li/?https://pilleriinjaik.com> Botanical walk by: Birgit Lahner<https://href.li/?http://www.birgitlahner.at> Curated by: Enar de Dios Rodríguez and Marlies Pöschl, The Golden Pixel Cooperative The film programme plants as a site of knowledge collects stories about the relationship between plants and memory, accounts that inform about the socio-political and economic entanglements present in ecosystems’ histories. What kind of memory do plants carry with them? To what extent are they part of cultural memory? Can time be turned back in ecosystems and if so, what are the (political) implications? The films that will be presented during this screening reflect on how plants have been separated from their environment in the service of colonial representation or economic interests in order to circulate or be grown in another place.  Besides the screening, which will happen at flucc and will be available online via the GPC Online Screen<https://href.li/?https://streaming.goldenpixelcoop.com> for a week, there will be also a “botanical walk” around the flucc area lead by Birgit Lahner, and artworks by GPC member Pille-Riin Jaik will be presented on the flucc billboards. FILM PROGRAMME * Shireen Seno<https://shireenseno.tumblr.com/>: To Pick a Flower, 2021, 17 min. * Patricia Esquivias: Cardón cardinal, 2020, 38:37 min. * Hanna Rullmann<https://href.li/?http://www.hanna-rullmann.com> & Faiza Ahmad Khan: Habitat 2190, 2019, 16:34 min. * Tin Wilke<https://href.li/?https://tinwilke.xyz/> & Miguel Goya<https://href.li/?http://bucovinacine.com/>: Las Flores, 2022, 19 min. BILLBOARDS Pille-Riin Jaik<https://href.li/?https://pilleriinjaik.com/>: Communal Weeds, 2023, intervention on billboards Weeds like to thrive on disturbed lands. Their favourite locations being next to train stations and roadsides. They adapt with ease to rather cruel conditions and enrich the damaged soils during transitory phases. Where there is a need, there’s weed. Deemed quite often unuseful and of disturbance by the pragmatists, weeds have developed various forms of counteractions and elaborate skills of perseverance. Like a many-headed monster, if it’s plucked out, a new, more-headed version will appear. WORKSHOP Birgit Lahner<https://href.li/?http://www.birgitlahner.at>: Botanical walk around the Flucc Past, present and future from a plant perspective The diversity of urban plants, especially the fragmented floodplain landscape in the 2nd district, but also the inconspicuous flora of the city’s wastelands and pavement cracks, often perceived at best as a backdrop, gradually come to the fore on this walk. This new view of urban vegetation allows us to recognise the manifold interrelationships between humans and plants and to marvel at their adaptability. Max. 15 participants, registration at office(a)birgitlahner.at<mailto:office@birgitlahner.at> Please wear appropriate clothing, the walk will also take place in the event of rain. Marlies Poeschl m.poeschl(a)akbild.ac.at<mailto:m.poeschl@akbild.ac.at>

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24/05, 2PM - Talk by Iris Blauensteiner
by Poeschl Marlies 21 May '23

21 May '23

Dear all, We’re pleased to have Iris Blauensteiner as guest lecturer at this week’s class meeting.This will be a valuable insight into her dramaturgic approach, hope to see many of you there :) I wonder about the images I see. Narrative paths through videofootage Talk by Iris Blauensteiner 24 May 2023, 2 PM Media class, Semperdepot Iris Blauensteiner introduces her artistic and practical approach to narration along the process of making the film "The world is blue at its edges" (essay film, 15min, 2021, in collaboration with Christine Moderbacher). She is interested in the visible in relation to narrative gaps and ellipses that carry the potential of the imaginary. This workshop aims to discuss how dramaturgical concepts, structures and narrative models can be used as support or orientation to extract and clarify a story. Likewise, they can help to undermine, subvert or irritate narrative conventions and to experiment with organizing principles. Script writing and editing can be understood as a search for traces, as an invitation to “listen” to the material itself and thus to decide within the countless possibilities of producing narrative meaning. Iris Blauensteiner<https://www.irisblauensteiner.com/> works as a filmmaker and author. She studied ‚Art & Digital Media‘ at the Academy of Fine Arts Vienna and Film- and Theatre theory at the University of Vienna. Her films, the latest "The world is blue at its edges" (2021), "the_other_images“ (2018), "Rest“ (2016) and "Sweat" (2014) were screened at international festivals. Her novels "Kopfzecke" (2016) and "Atemhaut" (2022) were published by Kremayr & Scheriau. She is a member of the Golden Pixel Cooperative - association for moving images, arts and media. She received various awards and grants for film and literature. www.irisblauensteiner.com<http://www.irisblauensteiner.com/> Marlies Poeschl m.poeschl(a)akbild.ac.at<mailto:m.poeschl@akbild.ac.at>

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violence / texts
by sil 16 May '23

16 May '23

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KDM update
by Poeschl Marlies 16 May '23

16 May '23

Dear all, Since there was some contradicting information from our side :) I d like to confirm that we will have a class meeting next week and continue with the xenofeminist manifesto + watch some films. 17.05., 14:00-18:00 Manifesto A few Recommendations: 11.05.19.00 Kunsthalle Wien, Laure Provoust https://esel.at/termin/116824/laure-prouvost-ohmmm-age-oma-je-ohomma-mama 12.05. 17:30 online, TQW: McKenzie Wark: Raving https://tqw.at/event/raving-wark/ 12.05.-17.05. several events: for more than one voice https://esel.at/termin/118674/european-kunsthalle-for-more-than-one-voice Best wishes marlies Marlies Poeschl m.poeschl(a)akbild.ac.at<mailto:m.poeschl@akbild.ac.at>

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forgot the attachment - regarding the pain of others
by Constanze Ruhm 12 May '23

12 May '23

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Susan Sontag / Regarding the Pain of Others
by Constanze Ruhm 12 May '23

12 May '23

Dear all, here another recommendation re our discussion. Susan Sontag’s Regarding the Pain of Others is the classic . best Constanze

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recommendations Literatur resp. our discussion on the representation of violence
by Constanze Ruhm 12 May '23

12 May '23

Hello everybody, here a few recommendations regarding our recent discussion. We will try to find .pdfs of these publications to share with you, and / or order them online. all best Constanze Mithu M. Sanyal, Vergewaltigung Angela Koch, Irreversible Bilder Virginie Despentes, King Kong Theorie

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Warm invitation / Performance: The Coronation of Hyacintha, May 13, 2023 / 17:00 - 17.30 / Main entrance of the Upper Belvedere / Free Entry
by Hicran Ergen 12 May '23

12 May '23

Dear all, I'd like to invite you to a very special performance I am part of, taking place tomorrow, (Saturday 13.5.2023, 17h) at Upper Belvedere "The Coronation of Hyacintha, May 13,2023" 17:00 - 17:30 - Follow for more: @steffanieergen_fanclub @studio_wagashishi_xoxo @wagashishi All the best! H. -INFO- (DE) Performance: Die Krönung der Hyazintha, 13. Mai 2023 Für Public Matters konzipiert Verena Dengler eine Performance, die sie gemeinsam mit mehreren Akteur*innen am Eröffnungstag realisiert. Dafür wählt sie einen Aufführungsort aus, der aus historischer Sicht kaum bedeutender sein könnte: den Balkon des Oberen Belvedere, auf dem 1955 der unterfertigte Staatsvertrag präsentiert wurde, womit zehn Jahre nach Ende des Zweiten Weltkriegs die staatliche Souveränität Österreichs wiederhergestellt war. Im Stil einer „Opera buffa“ halten die Künstlerin und ihre Akteur*innen feierlich Einzug in das Obere Belvedere, wo sie im ersten Obergeschoss zuerst den Ort der Unterzeichnung des Staatsvertrags (Marmorsaal) durchqueren, um schließlich auf dem Balkon eine musikalische Performance aufzuführen, die den unkritischen Umgang Österreichs mit der eigenen Geschichte hinterfragt. Ein poème chorégraphique – Festakt von Verena Dengler In Zusammenarbeit mit Steffanie Ergen, Beatrix Ó Corráin aka Battle-ax, Toni Schmale, Marcia Schmidt, Barbara Urbanic u. a. Courtesy Verena Dengler *Treffpunkt:* Haupteingang des Oberen Belvedere Eintritt frei *** Bei schlechtem Wetter findet die Vorstellung im Marmorsaal statt. Ich empfehle dazu, auf der Homepage des Museums für 16:00/16:15/16:15 Uhr einen Online-Slot zu buchen, der euch einen pünktlichen Einlass in das Gebäude ermöglicht. Wählt die Option single ticket für das Obere Belvedere, sobald das Datum 13. Mai ausgewählt wird, ist der Eintritt gratis. https://www.belvedere.at/tickets?location[]=1&booking_date=2023-05-13 *** Instagram Ankündigung: >> https://www.instagram.com/reel/Cr5cbOzP5_1/?utm_source=ig_web_copy_link&igs… Weitere details zum Gesamtprogramm: >> https://www.belvedere.at/public-matters? ---------------------------------------------------------------------------------- (EN) Performance: The Coronation of Hyacintha, May 13, 2023 For Public Matters, 'The Coronation of Hyacintha May 13, 2023 will be realized together by a small cast on opening. The performance site couldnt be more significant from a historical perspective: the balcony of the Upper Belvedere, on which the signed State Treaty, (done in the Marble Hall), was presented in 1955, thus restoring Austria’s state sovereignty ten years after the end of World War II. Various thematic avenues are opened up: the balcony as an obvious reference to a key moment in Austrian history, and at the same time, Belvedere’s crucial role as the birthplace of the democratic and sovereign Austrian state. Likewise it points to theAustrian sci-fi comedy 1. April 2000 (1952).Three years before the conclusion of the State Treaty, the film satirically paints a picture of an Austria that is still occupied by the Allied powers in the eponymous year 2000. By resorting to important historical personalities as advocates, among them, the builder of the Belvedere, Prinz Eugen von Savoy, the occupiers are to be convinced of the Austrian people’s peaceful demeanor in this futuristic scenario. Precisely because of its propagandistic tendencies the film initially appeared as an inspiration for the performance, in order to question Austria’s uncritical handling of its own history and the absence of a sense of guilt with regard to World War II. A poème chorégraphique – ceremony by Verena Dengler In collaboration with Steffanie Ergen, Beatrix Ó Corráin aka Battle-ax, Toni Schmale, Marcia Schmidt, Barbara Urbanic and others. Courtesy of Verena Dengler *Meeting point:* Main entrance of the Upper Belvedere Free Entrance *** In case of bad weather, the performance will take place indoor. For that we recommend booking an online slot on museum's homepage for 16:00/16:00 that would allow you to enter the building on time. Choose a single ticket for Upper Belvedere, ass soon as you enter the date may 13., the cost will be reset to 0,00. https://www.belvedere.at/tickets?location[]=1&booking_date=2023-05-13 *** Instagram announcement: >> https://www.instagram.com/reel/Cr5cbOzP5_1/?utm_source=ig_web_copy_link&igs… For further details of the whole programm happening during the day: >> https://www.belvedere.at/en/public-matters

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Reminder: Tomorrow 10.05.2023 - 2pm - Class Meeting
by Axel Stockburger 09 May '23

09 May '23

hi there, this is a reminder for our class meeting tomorrow 10.05.2023 at 2pm, in media class Semperdepot 1st floor. Looking forward to seeing you there axel

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