November 2023 - Medien - lists.akbild.ac.at

Blickle Kino
by Constanze Ruhm 17 Nov '23

17 Nov '23

Dear all, in response to Sam’s email from yesterday that he does not wish to participate in the Blickle Kino Screening: should we perhaps discuss the matter another time, next week in class? It would be a real pity if even a single student does not participate. Perhaps we can find another solution. Let us speak together next week. all my best Constanze

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Rundgang update
by Poeschl Marlies 16 Nov '23

16 Nov '23

Dear all, Sorry for the many mails today… Last one for today: Rundgang takes place from 18-21/01/2023. We have the great opportunity to show your works at Blickle Kino at Belveder21 on 20/01/2023 https://www.belvedere.at/entdecken/blickle-kino We cannot accept last minute films anymore, because it’s impossible to organize. The deadline for films is 13/12/2023. Liam, Liudmila, Sam and Siri are organizing the screening + booklet. We still need people who’d like to take care of the bar. Looking forward! Best wishes Marlies Poeschl Department for Media Institute for Fine Arts m.poeschl(a)akbild.ac.at<mailto:m.poeschl@akbild.ac.at>

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Studio space for rent
by Poeschl Marlies 16 Nov '23

16 Nov '23

Hello, My friend Olena Newkryta is subletting her studio. Please write to her if you’re interested, It’s a great place shared with other media artists. --- I m subletting my spot in a newly renovated studio for 1 year. Here the hard facts: * November 2023 - November 2024 (flexible) * Schönbrunnerstraße 181, U4 Längenfeldgasse * 5th floor with elevator * the whole studio is 58m2 * your working station is in a 32m2 room * you will share the room with the loveliest studio mate & visual artist Enar de Dios <3 * fully equipped bathroom & kitchen * functioning heating system + ventilator * windows look into a backyard (very calm & sunny) * internet * € 200,- (incl. internet, insurance, heating, electricity etc.) NEWLY RENOVATED STUDIO FOR RENT IN 1120 MEIDLING (U4 Längenfeldgasse) contact me: olena.newkryta(a)gmail.com<mailto:olena.newkryta@gmail.com> ----- Marlies Poeschl Department for Media Institute for Fine Arts m.poeschl(a)akbild.ac.at<mailto:m.poeschl@akbild.ac.at>

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Material semester topic
by Poeschl Marlies 16 Nov '23

16 Nov '23

Dear all, Since our website unfortunately isn’t yet working, we can use this etherpad as common reference: You can find our planning + links to the films and texts. https://etherpad.servus.at/p/KDM_WS_2023_Signup_sheet Please let me know if you have any troubles accessing the material. Best wishes Marlies Poeschl Department for Media Institute for Fine Arts m.poeschl(a)akbild.ac.at<mailto:m.poeschl@akbild.ac.at>

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Cargo / Websites
by Poeschl Marlies 16 Nov '23

16 Nov '23

Hey everyone, Since some of you were interested: Cargo Collective provides templates for creating websites and webspace. It’s nice design, easy to use and quite flexible. I also used it for my website. https://cargo.site/In-Use/Solo There is a student program so you can use it for free - just write to me if you’d like to receive the student code. However, the normal fee is around EUR 140/year (sth worth considering when you think about long term solutions. Best wishes Marlies Marlies Poeschl Department for Media Institute for Fine Arts m.poeschl(a)akbild.ac.at<mailto:m.poeschl@akbild.ac.at>

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Link for Vimeolinks Films Constanze
by Constanze Ruhm 16 Nov '23

16 Nov '23

Hello all! Here is the link to my links: https://www.dropbox.com/scl/fi/kfdobq3dbrg7n93nqnuyu/Vimeolinks-Filme-Const… Vimeolinks Filme Constanze.docx dropbox.com all my best Constanze

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Next Wednesday availablity
by Emma Bayer 15 Nov '23

15 Nov '23

Dear Prof Ruhm, Your colleagues told me next Wednesday students can discuss the project ideas with you. I would love to Kind regards,Emma Bayer Sent from Proton Mail mobile

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Fwd: LAURA MULVEY: Werkschau und Carte blanche
by Ruhm Constanze 14 Nov '23

14 Nov '23

Dear all, please note this program coming up this week, in connection with mine. Very much looking forward and to seeing you there. all best and until tomorrow at class meeting Constanze Anfang der weitergeleiteten Nachricht: Von: Österreichisches Filmmuseum <info(a)filmmuseum.at> Betreff: LAURA MULVEY: Werkschau und Carte blanche Datum: 14. November 2023 um 15:46:21 MEZ An: Constanze Ruhm <cr(a)constanzeruhm.net> Antwort an: Österreichisches Filmmuseum <info(a)filmmuseum.at> [https://mcusercontent.com/a139cd5b144ee041cf8b524cc/images/98b3fefb-5e73-eb…]<https://filmmuseum.us5.list-manage.com/track/click?u=a139cd5b144ee041cf8b52…> Webversion anzeigen<https://mailchi.mp/filmmuseum.at/mulvey?e=18c4e6ca53> [https://mcusercontent.com/a139cd5b144ee041cf8b524cc/images/ca2addc6-8fde-30…]<https://filmmuseum.us5.list-manage.com/track/click?u=a139cd5b144ee041cf8b52…> 16. November bis 8. Jänner 2024 LAURA MULVEY Werkschau und Carte blanche<https://filmmuseum.us5.list-manage.com/track/click?u=a139cd5b144ee041cf8b52…> In einer umfassenden Werkschau würdigen wir eine Feministin, deren Bedeutung als Filmschaffende immer im Schatten ihrer Prominenz als Theoretikerin stehen musste. Mit dem Aufsatz "Visual Pleasure and Narrative Cinema" (1975) begründete Laura Mulvey eine neue strukturalistisch-psychoanalytische Filmtheorie. Laura Mulvey wird vom 16. bis 18. November Einführungen zu ihren Filmen geben. Darüber hinaus bieten Vorträge und Gespräche die Möglichkeit tiefer in ihr Schaffen einzutauchen. 16.11. Neuverortungen des Films: Laura Mulvey/Constanze Ruhm<https://filmmuseum.us5.list-manage.com/track/click?u=a139cd5b144ee041cf8b52…> Vortrag von Christa Blümlinger (Professorin für Filmwissenschaft an der Universität Paris 8 Vincennes-Saint-Deni) Freier Eintritt 17.11. Nachbilder und Perspektivwechsel<https://filmmuseum.us5.list-manage.com/track/click?u=a139cd5b144ee041cf8b52…> Laura Mulvey und Constanz Ruhm im Gespräch mit Christa Blümlinger Foto: AMY!, 1980, Laura Mulvey, Peter Wollen [Foto: Combat d'amour en songe, 2000, Raúl Ruiz]<https://filmmuseum.us5.list-manage.com/track/click?u=a139cd5b144ee041cf8b52…> Bis 10. Jänner 2024 RAÚL RUIZ<https://filmmuseum.us5.list-manage.com/track/click?u=a139cd5b144ee041cf8b52…> Dem populären Trend zum Multiversum à la Everything Everywhere All at Once (2022) war Ruiz weit voraus, wie ein Blick auf die schwindelerregende Konstruktion von Combat d'amour en songe <https://filmmuseum.us5.list-manage.com/track/click?u=a139cd5b144ee041cf8b52…> (2000) zeigt: Der Film beginnt mit einer Hochgeschwindigkeits-Gebrauchsanweisung, wie man seinen Logiksprüngen durch verschiedene Welten folgen sollte. Foto: Combat d'amour en songe, 2000, Raúl Ruiz [Foto: Death in the Land of Encantos, 2007, Lav Diaz]<https://filmmuseum.us5.list-manage.com/track/click?u=a139cd5b144ee041cf8b52…> 19. November 2023 Collection on Screen<https://filmmuseum.us5.list-manage.com/track/click?u=a139cd5b144ee041cf8b52…> LAV DIAZ - Teil 5<https://filmmuseum.us5.list-manage.com/track/click?u=a139cd5b144ee041cf8b52…> Unsere sich über einen längeren Zeitraum erstreckende Dauerausstellung der Werke von Lav Diaz, die der philippinische Filmemacher der Sammlung des Österreichischen Filmmuseums anvertraute, bietet nun die Gelegenheit, Kagadanan sa banwaan ning mag engkanto (Death in the Land of Encantos)<https://filmmuseum.us5.list-manage.com/track/click?u=a139cd5b144ee041cf8b52…> wieder zu sehen. Death in the Land of Encantos (2007) ist das dritte Digital-Epos von Lav Diaz als Bestandsaufnahme der zerrütteten philippinischen Seelenlandschaft, diesmal gebündelt um die Geschichte des Poeten Benjamin Agusan. Foto: Death in the Land of Encantos, 2007, Lav Diaz [https://mcusercontent.com/a139cd5b144ee041cf8b524cc/images/2fff303f-1b4d-94…]<https://filmmuseum.us5.list-manage.com/track/click?u=a139cd5b144ee041cf8b52…> Bis 4. Jänner 2024 CONSTANZE RUHM Werkschau und Carte blanche<https://filmmuseum.us5.list-manage.com/track/click?u=a139cd5b144ee041cf8b52…> Constanze Ruhms extensives Film- und Videowerk zählt zu den innovativsten Auseinandersetzungen mit feministischer Subjektivität, Sozialität und dem Wesen von (Film-)Geschichte. Zusätzlich zu ihrer Werkschau (9.-16.11.) hat die Künstlerin für das Filmmuseum eine Carte blanche erstellt. Foto: Solyaris (Solaris), 1972, Andrei Tarkovsky [https://mcusercontent.com/a139cd5b144ee041cf8b524cc/images/3fe530be-fab8-f6…]<https://filmmuseum.us5.list-manage.com/track/click?u=a139cd5b144ee041cf8b52…> Unsere vergünstigten Herbstmitgliedschaften <https://filmmuseum.us5.list-manage.com/track/click?u=a139cd5b144ee041cf8b52…> sind verfügbar: Eine Mitgliedschaft <https://filmmuseum.us5.list-manage.com/track/click?u=a139cd5b144ee041cf8b52…> ermöglicht den Erwerb einer Kinokarte für 6 € statt 10,50 €. Wer noch mehr sparen möchte, kann mit dieser auch den 10er Block erwerben und bezahlt dann pro Film 4,50 €. Darüber hinaus bekommt man als Mitglied des Filmmuseums das Programmheft postalisch zugeschickt und freien Eintritt am Geburtstag. Als Förderndes Mitglied<https://filmmuseum.us5.list-manage.com/track/click?u=a139cd5b144ee041cf8b52…> erhalten Sie zusätzlich Einladungen zu exklusiven Veranstaltungen, sowie Vorpremieren und unterstützen mit Ihrem Beitrag darüber hinaus auch die Arbeit unserer Institution. ENGLISH PROGRAM NEWSLETTER<https://filmmuseum.us5.list-manage.com/track/click?u=a139cd5b144ee041cf8b52…> Wir verschicken ab sofort in unregelmäßigen Abständen auch einen englischen Programm-Newsletter. Bei Interesse einfach hier<https://filmmuseum.us5.list-manage.com/track/click?u=a139cd5b144ee041cf8b52…> anmelden. As a new service to our international community we send out English Newsletters. If you are interested in our program info subscribe here<https://filmmuseum.us5.list-manage.com/track/click?u=a139cd5b144ee041cf8b52…>. Spielplan<https://filmmuseum.us5.list-manage.com/track/click?u=a139cd5b144ee041cf8b52…> Shop<https://filmmuseum.us5.list-manage.com/track/click?u=a139cd5b144ee041cf8b52…> Österreichisches Filmmuseum Kino: Augustinerstraße 1, 1010 Wien Büro und Bibliothek: Hanuschgasse 3/Stiege 2/1. Stock, 1010 Wien T +43 1 533 70 54 info(a)filmmuseum.at <mailto:info@filmmuseum.at> www.filmmuseum.at<https://filmmuseum.us5.list-manage.com/track/click?u=a139cd5b144ee041cf8b52…> [Facebook]<https://filmmuseum.us5.list-manage.com/track/click?u=a139cd5b144ee041cf8b52…> [Twitter]<https://filmmuseum.us5.list-manage.com/track/click?u=a139cd5b144ee041cf8b52…> [Instagram]<https://filmmuseum.us5.list-manage.com/track/click?u=a139cd5b144ee041cf8b52…> Abmelden<https://filmmuseum.us5.list-manage.com/unsubscribe?u=a139cd5b144ee041cf8b52…>

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Nancy Fraser Talk at Secession - wed 15.11. - 18:30
by Axel Stockburger 13 Nov '23

13 Nov '23

hi there, don’t miss the talk by Nancy Fraser this coming wednesday wed 15.11. at 18:30 at Secession Vienna. ————— Nancy Fraser The Art of Work: William Morris on Emancipated Labor Wednesday, 15.11.2023, 6.30 p.m. Lecture (in English) As part of the series Foregrounding Externalities In cooperation between the Academy of Fine Arts Vienna, Central European University, and the Secession “William Morris (1834 –1896) is best known today as a textile designer and a leading influence on the Arts and Crafts Movement. But he was also a radical socialist. This lecture locates the link between Morris’s craft aesthetic and his socialist politics in his understanding of work. It examines both his fierce critique of industrial labor and his remarkable vision of emancipated labor. The latter, I claim, represents an original contribution to social philosophy with continuing relevance today.” (Nancy Fraser) Nancy Fraser is Professor of Philosophy and Politics at The New School for Social Research in New York City. For more than twenty years, Fraser’s theses on social justice, democracy, and feminism have fueled public debates around the world. She analyzes the relations of inequality specific to our world from a critical perspective in order to develop concepts to address them—for example, in relation to the welfare state, multiculturalism, gender relations, democracy, and economics. She is widely known for her critique of identity politics and her work on the philosophical conceptions of justice and injustice. Also, Fraser is a staunch critic of contemporary liberal feminism and its abandonment of social justice issues. Her recent books include Cannibal Capitalism; Scales of Justice; and Fortunes of Feminism. https://secession.at/items/uploads/images/1697565069_nPihgQM4yb3K.png 1697565069_nPihgQM4yb3K PNG Image · 97 KB

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Fwd: Einladung zum Vortrag zu Version Control
by Ruhm Constanze 07 Nov '23

07 Nov '23

Dear all, please see below a very interesting invitation for a very interesting talk by Jonathan Kemp next wednesday at 17.00, organized by Prof. Carolin Bohlmann (Konservierung / Restaurierung). It starts at 1700, meaning directly after our class meeting. see you all tomorrow, best Constanze Anfang der weitergeleiteten Nachricht: Von: Bohlmann Carolin <C.Bohlmann(a)akbild.ac.at> Betreff: Einladung zum Vortrag zu Version Control Datum: 7. November 2023 um 11:08:26 MEZ An: Ruhm Constanze <C.Ruhm(a)akbild.ac.at>, Margreiter Dorit <D.Margreiter(a)akbild.ac.at>, Von Mechow Nina <N.VonMechow(a)akbild.ac.at> Umgeleitet von: <C.Ruhm(a)akbild.ac.at> Liebe Constanze, liebe Dorit, liebe Nina, Mein Kollege Jonathan Kemp vom Grimwade Centre of Cultural Studies Conservation, University Melbourne, wird am 15.11. im Anatomiesaal einen Vortrag halten - vielleicht interessiert es Eure Studierenden. Herzlich Carolin [image.png] Composite of Gustav Metzger's Liquid Crystal Environment (1965-ongoing). Images taken from Adrian Fogarty's 'Manual for Gustav Metzger's Liquid Crystal Environment, Iss. 04 March 2017', (unpublished) Lecture by Jonathan Kemp, Wednesday, 15.11., 17 Uhr, Anatomiesaal, Schillerplatz (in English) Forkology: conservators as art-developers This talk is about conservation being a form of version control. I will argue that all artworks are 'forked-out' of being the creative output of a singular creative origin (viz. 'the sovereign artist') when conservators (& others) produce the next iteration of a work. I will illustrate how conservators engage in a form of what I call ‘ontological constructivism’ in which they use adversarial, anexact, and generative processes that in effect make them ‘art-developers’ when they commit to their version of a work. I will then demonstrate how conservation has parallels with software development and how conservation should be seen as a form of version control where conservators create time-stamped ‘versions of record’ that persist until the next cycle of care. In the final part I will argue how the idea of version control affords cultural heritage an ontological openness which makes conservators necessarily complicit as art-developers in their 'taking care of things'. Bio For over 30 years Dr Jonathan Kemp has worked in sculpture conservation across the world including in Australia, Brazil, Canada, Iran, Japan, Taiwan, the UK and Ukraine. He was a Senior Conservator at the V&A Museum, London and he is a Senior Lecturer at the Grimwade Centre for the Conservation of Cultural Materials at the University of Melbourne. He has published on conservation theory, new media art, as well as various technical studies; he is also the Editor of the Journal of the Institute of Conservation. His PhD was a media archaeological project on the geology of computing. For over 20 years he has both initiated and co-organised new media art-related projects including DIY material processing laboratories, environmental installations, performances, interdisciplinary symposia, and social software events executed in various international media art festivals and venues throughout Europe, the US, Brazil, Japan, Taiwan and Australia Prof. Dr. Carolin Bohlmann A…kademie der bildenden Künste Wien Institute for Conservation-Restoration | modern & contemporary art T +43 (0) 664 808878800/ 00491777477135 c.bohlmann(a)akbild.ac.at<mailto:c.bohlmann@akbild.ac.at> Augasse 2-6 I Kern N I A-1090 Wien

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