May 2023 - Alle_benutzer_innen_kunst

Informationsveranstaltungen der Gewerkschaft
by Betriebsrat f. d. künstl. u. wissenschaftl. Personal 24 May '23

24 May '23

Liebes Kollegium, Wir möchten euch auf zwei Informationsveranstaltungen von Seiten der BV 13 Gewerkschaft für das künstlerisch-wissenschaftliche Personal hinweisen. Im Anhang findet ihr jeweils den dazugehörigen Zoom Link. * Mittwoch, 7.6.2023, 12.30 Uhr Zum Stand der Kollektivvertragsverhandlungen insbesondere im B-Schema PostDoc. * Mittwoch, 14.6.2023 / 15:30-17:30 2. Dialogforum der Bundesvertretung 13 (GÖD) zum Thema Universitätsfinanzierung ein Mit vielen Grüßen, eure Betriebsräte*innen A…kademie der bildenden Künste Wien Die Betriebsräte*innen für das künstlerisch-wissenschaftliche Personal Mobil +43 664 808 877 122 Karl-Schweighofer-Gasse 3 I DG17 I 1070 Wien Betriebsrat_KWUP(a)akbild.ac.at www.akbild.ac.at

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Vortrag Burys Wunderkammer
by Hammer Matthias 22 May '23

22 May '23

Burys Wunderkammer – Der Blick hinter die Kulissen Do 25.05.2023 von 18:00 bis 20:00 Schillerplatz 3 Raum M13a Vortrag von Götz Bury im Rahmen der IBK Ringvorlesung 2023, organisiert von der Metallwerkstatt. [cid:image001.jpg@01D98CCA.4ECB2980] Götz Bury, Service à la Rüsse Den Einstieg in die Welt der Wunder fand Götz Bury über ein in Vergessenheit geratenes Buch des Barocken Predigers Abraham a Sancta Clara. Der an konkrete Poesie erinnernde Titel des 1685 erschienenen Werkes lautet Gack, Gack, Gack, Gack A Ga. In ihm wird das einstmals weltberühmte Wunder der Sterneier von Taxa beschrieben. Götz Bury entwickelt aus der Lektüre über die Jahre einen eigenen künstlerischen Kosmos, den er regelmäßig in Form von Installationen, Performances und Klang über dem Publikum aufspannt. Das Gebilde ist auf den ersten Blick ausgesprochen reich ornamentiert, extrem detailreich und überschwänglich, eine Form der Ästhetik, die heutigen Vorstellungen von Gestaltung klar entgegen läuft. Allerdings ist der Aufwand gerechtfertigt, um die richtige Stimmungslage zu schaffen. Indem daneben Elemente des Glaubens, Aberglaubens und des feudalen Staates aufgegriffen werden, trifft Bury vor allem in Österreich und Süddeutschland den Nerv des hierzulande gerne einmal religionstechnisch stark vorgeschädigten Publikums. Daneben finden Freunde des guten Handwerks reichlich Anknüpfungspunkte. Da praktisch kein neuwertiges Material zum Einsatz kommt, sondern nur Relikte aus Küche, Großküche und Haushalt, fühlt man sich möglicherweise an Recycling erinnert, auch wenn Bury seine Art der Gestaltung in erster Linie als eine Form des Zitierens betrachtet, das eine eigene Gestaltungsebene bildet. Götz Bury – Experimentelle Bildhauerei, Performance und akustische Skulptur 1960 geboren in Hamburg, Studium der Bildhauerei in Wien, Vizepräsident der IG Bildende Kunst Wien, Zusammenarbeit in der Künstlergruppe “Die Halbe Wahrheit”, im Leitungsteam des Kunst- und Kulturfestivals „SOHO in Ottakring“ Wien, 2002 Beginn der Performanceserie NARZISS - Das Fotostudio – Selbstdarstellung auf höchster Stufe, seit 2013 Zusammenarbeit mit dem Schriftsteller Bodo Hell (Objekte, Performance), seit 2017 im Leitungsteam des „Acousmatic Project“ in Wien, seit 2017 Zusammenarbeit in dem Projekt „Das erste Wiener Mehrwegensemble“ gemeinsam mit Werner Zangerle, in wechselnden Besetzungen (Klangobjekte, Performance, experimenteller Jazz). Ausstellungen und Performances (Auswahl): Kunsthaus Bregenz (2009), Garage X/Theater am Petersplatz in Wien (2009/10), Museum Villa Rot/Deutschland (2010), Neue Kunst Galerie Karlsruhe (2011, 2013, 2015, 2016, 2019), Sargfabrik Wien (2011), Frappant e.V., Hamburg (2011), Jazzclub Porgy & Bess, Wien (2012, 2014, 2015, 2018, 2023), Halle14/Leipzig (2013), ACC Weimar (2014), Künstlerhaus Ulm (2014), Museum Stift Admont/Steiermark(2015, 2016), JesuitenFoyer/Wien (2017), Festival der Regionen/Marchtrenk, Oberösterreich (2017), Theaterfestival Weißenbach/Steiermark (2018), Kunst und Kulturfestival „Begehungen“ Chemnitz/D (2018), Fourier Festival Wien (2018), Literaturmuseum/Wien (2019), Klangmanifeste/Wien (2019), Galerie V&V Wien (2019, 2022), Ortung 11, Schwabach/Deutschland (2019), Museum Moderner Kunst Kärnten, Klagenfurt (2019), Kunstverein Moving Poets, Berlin (2019), Museum Schloss Orth/NÖ (2020), Wien Modern/Wien (2017, 2019, 2020, 2021) Dommuseum Wien (2022), Jesuitenkunst Wien (2022, 2023), Galerie Konzett Wien (2021 und 22).

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24/05, 2PM - I wonder about the images I see. Talk by Iris Blauensteiner
by Poeschl Marlies 21 May '23

21 May '23

I wonder about the images I see. Narrative paths through videofootage Talk by Iris Blauensteiner 24 May 2023, 2 PM Department for Art and Media 1st floor, Semperdepot Iris Blauensteiner introduces her artistic and practical approach to narration along the process of making the film "The world is blue at its edges" (essay film, 15min, 2021, in collaboration with Christine Moderbacher). She is interested in the visible in relation to narrative gaps and ellipses that carry the potential of the imaginary. This workshop aims to discuss how dramaturgical concepts, structures and narrative models can be used as support or orientation to extract and clarify a story. Likewise, they can help to undermine, subvert or irritate narrative conventions and to experiment with organizing principles. Script writing and editing can be understood as a search for traces, as an invitation to “listen” to the material itself and thus to decide within the countless possibilities of producing narrative meaning. Iris Blauensteiner works as a filmmaker and author. She studied ‚Art & Digital Media‘ at the Academy of Fine Arts Vienna and Film- and Theatre theory at the University of Vienna. Her films, the latest "The world is blue at its edges" (2021), "the_other_images“ (2018), "Rest“ (2016) and "Sweat" (2014) were screened at international festivals. Her novels "Kopfzecke" (2016) and "Atemhaut" (2022) were published by Kremayr & Scheriau. She is a member of the Golden Pixel Cooperative - association for moving images, arts and media. She received various awards and grants for film and literature. www.irisblauensteiner.com<http://www.irisblauensteiner.com>

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IKW: Vortrag von Christian Klesse im Rahmen der Gender Studies Vorlesung
by Reithner Dunja 15 May '23

15 May '23

Vortrag von Christian Klesse Liebe und Intimität im Lichte der Debatten zu Polyamorie und feministischer Monogamiekritik Dienstag, 23.5.2023, 14.30-16 Uhr Der Vortrag leistet eine kurze Einführung zum Thema Polyamorie als einer besonderen Spielart konsensueller Nichtmonogamie und arbeitet einige der Besonderheiten dessen heraus, was als ein polyamoröses Verständnis der Liebe bezeichnet werden könnte. Im zweiten Teil des Vortages wird auf einige der Debatten zu Polyamorie im Lichte feministischer und queer-feminstischer Theorien eingegangen. Dr Christian Klesse ist Reader am Department of Sociology an der Manchester Metropolitan University in Großbritannien. Er forscht interdisziplinär zu Intimität, Geschlecht und Sexualität, LGBTQIA+, Nichtmonogamie und Polyamorie, soziale Bewegungen, Transnationalismus, Migration und Rassismus. Ort: M20 (Schillerplatz 3) sowie zoom https://akbild-ac-at.zoom.us/j/66514062467 Zeit: Dienstag, 23.5.2023, 14.30 Ass. Prof. Mag.a Dr. in Doris Guth Akademie der bildenden Künste Wien Institut für Kunst- und Kulturwissenschaften Schillerplatz 3 1010 Wien Tel.: 0043-1-58816-8120 A...kademie der bildenden Künste Wien Dunja Reithner Office Management Institut für Kunst- und Kulturwissenschaften Institute for Art Theory and Cultural Studies Telefon +43 1 588 16 <tel:+43%201%20588%2016%201300> 8101 Schillerplatz 3, 1010 Wien d.reithner(a)akbild.ac.at<mailto:ibk-leitung@akbild.ac.at> www.akbild.ac.at<http://www.akbild.ac.at/>

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IKA Lecture Series Ruptured Landscapes | Lucia Pietroiusti | 15.05.2023
by Mayer Gabriele 12 May '23

12 May '23

IKA Lecture Series Summer 2023 Ruptured Landscapes Lecture Lucia Pietroiusti Curating ecological practices Monday, 15 May 2023, 7pm IKA, R211a, Schillerplatz 3, 1010 Vienna IKA lecture series Ruptured Landscapes curated by Aristide Antonas Curator Lucia Pietroiusti will discuss some methodologies and curatorial strategies related to recent projects, including General Ecology and Back to Earth at Serpentine, as well as Sun & Sea (Lithuanian Pavilion at the 2019 Venice Biennale, and touring), attempting to answer complex questions around the role culture can play in the environmental emergency; and what "ecological practices" might be in this context. Lucia Pietroiusti is a curator working at the intersection of art, ecology and systems, usually outside of the gallery space. Pietroiusti is the founder of the General Ecology project at Serpentine, London, where she is currently Strategic Advisor for Ecology. Current projects include the research and festival series, The Shape of a Circle in the Mind of a Fish (with Filipa Ramos, since 2018) and the opera-performance Sun & Sea by Rugile Barzdziukaite, Vaiva Grainyte and Lina Lapelyte (2019 Venice Biennale and 2020-2024 international tour). Recent projects include Persones Persons, the 8th Biennale Gherdeïna (May-September 2022, with Filipa Ramos). Recent and forthcoming publications include The Shape of a Circle in the Mind of a Fish (with Filipa Ramos, forthcoming), More-than-Human (with Andrés Jaque and Marina Otero Verzier, 2020); Microhabitable (with Fernando García-Dory, 2020-22) and PLANTSEX (2019). [cid:image001.jpg@01D98288.9E3C5EE0] © Rugile Barzdziukaite, Vaiva Grainyte, Lina Lapelyte, Sun & Sea. Teatro Argentina, Rome, June 2021. Curated by Lucia Pietroiusti. Photo by Sun & Sea Lecture Series Summer 2023 Ruptured Landscapes Voices from architecture and arts present their point of view on the concept of urgency in relation to its impact on theory and praxis: within the discourse on "global warming", we observe the stabilisation of a grand narrative that is becoming increasingly powerful and accepted as legitimate; it arises from the primacy of a human fault (or even of a human "sin", to immediately affirm the theological scale of this discourse), and it is understood differently each time, in the context of what we conceive as "nature" and "natural". The process of stabilization runs in parallel with post-colonial literature and parts of feminist writings underlying the importance of a destabilised normality even in the most trivial, accepted natural observations. While we cannot really enter into its important details in simple dialectical ways, the presence of a scientific discourse breaks with a critical and deconstructive tradition usually running counter to hegemonic discourses. In other words, there is now supposedly a privileged hegemonic discourse that we tend to agree is considered unchallengeable; it presents itself with theological force, for some definitions of "nature". Geography, as a complex way of framing different types of countryside and urban fields, is addressed in this exact frame of the omnipresent issue of global warming. Global warming-considered as a new grand narrative-is presented as a metaphysical scheme able to belong to a new religious constellation of science, already described in past epistemology. The empowerment of this discourse is presented together with the necessity of "acting urgently"; while urgency is often linked to an end of investigations, this lecture series investigates the possibilities of urgent but well-balanced political thought. The new frame of action becomes increasingly threatening and disorienting as regards the type of inquiries held on the topic, and the constitution of any possible critique of their scientific results. Nevertheless, a non-homogeneous technical power alone seems in a position to organize the horizon of any human response to global warming. In this poisoned setting-that necessarily leads to an unquestioned aristocracy of science driving any actions for "reversing global warming and its discontents"-the role of the university appears boycotted. It seems that there is no room left for critical thinking, while an anonymous technical and scientific power appears to be the only actor able to assume the responsibility to act; but could that ever happen in the name of the people, and for their sake? It is true that a political engagement for action on the urgent issue of global warming seems trapped in this impasse; a problem of democracy seems to be intrinsic to the structure of this type of scientific discourse. It is only on a technical level that we might be able to raise our voices about options to be heard, and maybe discussed and decided. Furthermore, the production of a field of urgency cannot drive a single scientific proposal. In this difficult frame of urgency, the policies left to debate seem impotent and restricted; any critique that may be voiced in this respect can be excluded in advance because of its incompatibility with the scientific understanding of the processes inscribed in the field of investigation. In a Foucaultian sense, the discourses held in this frame can only refer to a set of knowledge epistemologically excluded from the critical discourses that traditionally took place at universities. Can these displaced critical discourses still form a background, and reposition a political scenography at a distance from increasingly unreachable science? Lecture Series Summer 2023 James Bridle 20 March 2023 Lucia Pietroiusti 15 May 2023 Anne Lacaton 26 June 2023 All lectures start at 7pm Schillerplatz 3 1010 Vienna Lecture Series Winter 2022 Invisible Symposium 24 - 30 October 2022 Momoyo Kaijima 28 November 2022 Territorial Agency 23 January 2023 www.akbild.ac.at/ika<http://www.akbild.ac.at/ika> A...kademie der bildenden Künste Wien Institut für Kunst und Architektur Institute for Art and Architecture Telefon +43 1 588 16 5101 / 5102 Schillerplatz 3, 1010 Wien arch(a)akbild.ac.at<mailto:arch@akbild.ac.at> www.akbild.ac.at/ika<http://www.akbild.ac.at/ika> Facebook<https://www.facebook.com/ika.vienna/> Vimeo<https://vimeo.com/ikavideo> Issuu<https://issuu.com/ika-vienna/docs>

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